| The new colour correction feature of Panorama
Tools is a very powerful tool that can save a lot of time if used correctly.
Unfortunately colour correction is one of the least understood areas
of digital images and as a result some people do not get the desired result
using this feature. Here are a few points to consider before using
colour correction for stitching a panorama.
The colour correction is based on equalising the histograms of the RGB
channels of the overlapping regions of the images. Therefore:
- The method assumes that the overlapping images contain identical
content. If they don't then this may throw out the final result (e.g.
moving objects in only one image of a pair)
- More overlap provides a better result.
- Small overlaps at the edge of the images with radial fall off will
produce unwanted results. (e.g. back to back fisheye images)
- There will most likely still be a small variation in colour between
the images. Attempting to correct images with small variations may not
reduce the variation between the images.
- Colour correction works best on images with large differences, but
will still leave small variations.
Exposure Correction
This test shows the ability of Panorama Tools to correct for variations
in exposure. Each image was first aligned with the reference image and then
output as TIFF file with colour correction applied. From this it can
be seen that quite usable results can be achieved with exposures +/- 2 stops
from the "normal" exposure. The underexposed images showed increased noise,
with the -3 stops image
being unusable for a high resolution panorama. At the opposite end of the
scale though, the +4
stops image was still quite usable.
Relative
exposure
(f stops) |
Original
Image |
Reference
Image |
Corrected
Image |
| -3 |
 |
 |
 |
| -2 |
 |
 |
 |
| -1 |
 |
 |
 |
| 0 |
 |
 |
 |
| +1 |
 |
 |
 |
| +2 |
 |
 |
 |
| +3 |
 |
 |
 |
| +4 |
 |
 |
 |
Colour/Contrast Correction
Another problem regarding colour and contrast occurs when shooting with
multiple lenses, e.g. shooting a high resolution zoom image. There are many
factors that can create differences in colour, the main one being lens
flare.
In this demo I shot the original panorama with an 8mm lens and then took
another set of shots with a 135mm lens for the purpose of creating zoom
images. Having stitched the panorama I then extracted a view of the
area to be zoomed at a suitable size for inserting the images shot with the
l35mm lens. Even though I used the same exposure for both there
was a considerable difference between the negatives.
Two zoom images without colour correction
... and with colour correction.

Note that the result is not perfect. You can still see the edges of the
images, particularly towards the right side of the image BUT it's a lot
closer than I could get attempting to manually adjust the images. Very
little work is required from this point to make the images seamless.
Failure
There are of course times when using this feature will not work.
Any panorama with parallax errors is also prone to having overlapping
regions with different histograms. The rooftop panorama is an example
is one such situation where colour correction cannot be used without careful
consideration.
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